|
"We eat under shooting."
"We eat under shooting," he said.
Khalil Bachir looks at me again, even smiles slightly. "They are shooting to tell us, 'We know you have foreigners in there with you.'"
The wife of Khalil Bachir, serving the food, smiles courteously at me.
"I saw many bullets strike the dirt, near us in the house," said Samah Mahammad, Psychiatric Nurse, of the Gaza Community Mental Health Programme, spiritual woman who has permitted me to join her on this Crisis Team 'home visit.' They long ago had bulldozed the greenhouses, demolished all neighboring homes, and killed the trees. Alone is left the up torn dirt. "Do you follow sports at all Mr. Bachir?" I asked.
More shots, sometimes one-two-three-rapidly. CRACK. Concussive. They keep coming. I sit next to Mr. Khalil Bachir on the same side of the small table. My right shoulder almost touching his left.
BANG. "I refuse to hate, no matter what they do to me or my family. If I become angry I will have to leave my home." "Look," she says, the wife of Khalil Bachir. A small room, the blue bed covered with broken glass, debris, and the very glasses case which her husband discarded when "the bomb" came through the window.
He was badly wounded in the back of the head and neck.
When Mr. Bachir tells me that, I am disturbed again, forget my original question, and leap to ask, "Can't you go shopping?"
Before I hear a reply, I am interrupted by Yosef who grabs off the bed, and holds up for me to examine, what looks like a twisted bicycle pump. It is part of a missile, fired into the house from the settlement military tower that overlooks the house and can see on a line, directly into this bedroom.
Is this war? Is this Occupation? Imprisonment? Confinement? Civil living?
The family, even my friend Samah are polite enough, but they seem to be wondering about me as I am shaking my head: "Doesn't he get it?" they seemed to be saying to themselves. "This is what it means to live in Occupied Palestine!" After a pause, Mrs. Bachir responds to my question, "By whose authority?" and says, "They do. The military. They have the power." That is not an answer for me. I do not understand.
"We used to sleep here but when they tried to kill us by shooting through the window into the bed, we moved to an inside smaller space where it is a little safer." The bedroom dresser top has 80 to 100 empty shells sitting up on their end arranged in a pattern to spell out P E A C E. It is the idea and expression of eleven year old Mohammed. He leans on the dresser, beams a smile up to me, and asks with eager widened eyes, "Do you like it?"
With permission, I reach down into the cracked, bowl-shaped light chandelier which is on the floor, next to the bed. It is full of shells and bullets. Making the world safe for spiritual darkness.
Did this one come from the bullet hole in the closet door at my back? Or from the wall after passing through Destiny's jacket? Pick any wall in the house.
We go across an open hallway space to enter the other modest bedroom.
Jail and hospitality, bullets and shells, food and smiles . . . I was beginning to experience what I could not grasp this morning at the GCMHP Clinic in Deir El Balah, when Samah had invited me to join her for a Crisis Team visit to the home of Khalil Bachir. She had said, "It is very difficult for us. Please come. You will see." Samah was referring to the Crisis Intervention Teams that had been formed at each of the GCMHP Clinics - Gaza, Jabalya, Khan Younis and Deir El Balah - to respond to victims and casualties of the recent increased violence and pressure - targeted killings, Apache helicopter attacks, tank incursions, demolished homes, punishing checkpoints, and absolute closures. "So, there are families and children in all Gaza who need our help. But in this house, the soldiers are there, occupying the house - and they shoot, and shoot. It is dangerous to visit the family, even for us." That afternoon, after we had left the car:
"There it is, the house." I looked right, and we turned into the yard: A large house, three stories high, bullet holes marking every single face of stone. "Who is that shaking a rug on the steps?"
I watch Samah settling in with eleven year old Maysoon, and Zana. Samah brings to them a natural attention and quality of caring that they both welcome with nods and smiles. When Samah asks about something difficult or painful, there is a slight tightening of the eyes, an acknowledgement and acceptance of harsh realities. I think: These little girls, too young to have to accept so much, so soon.
"This (shooting) is common," he said. "My children live here, they play here, even know some happiness."
I feel foolish. I can only think of formal studies on resilience and children.
Shots. Louder. Somehow closer. I look over my shoulder. Three feet behind my back and above me is the window. I see one of the turrets of the settlement less than one hundred yards away. A fluttering of blue and white flag. I have been in shooting zones before. For me, other times, rifle shots sound like pops! But these, as we eat under shooting, these are CRACKS. Grandmother is to my close left, sitting at table, eating, in this home, my right shoulder close to left shoulder of Khalil Bachir, his little girl close, over the table touching distance from my hand, we sit at table. "We eat under shooting." The shots carry and convey an absolutely unmistakable intention to insult, an ugly unashamed intention to violate, spit and damage. Polish ghetto? Who was it that shot at prisoners in the concentration camps? I begin to feel ugly. Then I look around the table. They eat. I eat. Relax. Be here. I am here. Intifada - shaking off the anger. The little girl has caught something in her throat. Coughs. Grandmother and mother pat her back. She's okay. "What is the line of fire?" I am not afraid, and, I do not want to give credence to this vulgar shooting. I want to focus on this experience of sharing a meal with my new friends and their children. Yet I ask. "East to west, they shoot," I think he said.
Samah starts to leave the table, and is persuaded to remain for a little while. Later, she tells me of her fear during the meal eaten under shooting.
"To the jail." The sign on the side of the door to the room where this married couple, Grandmother, and all the children are kept under locked-and-ready rifle and key, every day.
"Sometimes the soldiers stay in the room with us."
"What if someone has to go to the bathroom during those twelve hours?"
Mrs. Khalil and Samah sit together, and talk.
"Someday I would like to live elsewhere. Yet, here is my duty."
"They will kill you if they see you with your video camera. Yes, just shoot you, Canadian or not." I am told that many times. I believe them. But I don't.
"You tell us that the soldiers are not our enemies. But why do they shoot us?
"So I talked again to my son about love being stronger than hate. 'To err is human, to forgive divine.'" "I tell my son, 'they are our friends.'" Khaliil Bachir.
He, same size as me, much younger, only fifty one. In great shape. Standing facing one another, each holding aromatic tea in our right hands. A few moments earlier Mrs. Bachir had invited us to leave the tiny kitchen. Even she had become a little nervous about the level of shooting. For the sake of Others. We are now standing on the back? front? steps. The camera above, and
I inch closer to Khalil Bachir even the more. As I listen and almost stare into his eyes, level with mine, grayish blue? clear, friendly - reassuring, I am aware of myself, my Self. Somehow I cannot believe my eyes. Nor do I wonder that I am not surprised by his serenity, in his refusal to hate or be angry no matter what is done. Not amazed? Why? Finally I get it. Obvious. Of course, with this man - his spirit pervades the entire family. I apprehended, and quite naturally felt it, from the first moments when he walked toward me as I stood in the middle of his shattered private bedroom of marriage, and before I heard his eloquent English speech, "Welcome to our home."
"I gain strength from my commitment not to hate. It comes from within. I am not acting. It is not pretence for me. I do not have to pretend." The mother shows me bullet holes in every garment hanging on the stand in the bedroom. A child's light tan, collared wool jacket, with three quarter length sleeves. Would look wonderful on Zana, the little girl, or my grand-daughter 'Destiny.'
"Not my son. No. My son would not do such acts. The sons of other mothers, perhaps, but not mine. He would not do such things." "They told me, 'Your house is divided into three sections, A, B, and C. B and C belong entirely to us, the Israeli soldiers. A is yours, but only partially. There are many things that you have to get our permission about.'" "Family no longer visits us. It is too difficult and dangerous with the soldiers." "I have told them many times. I will not hate, and I will never leave this house of my birth." "I believe someday we will have peace." "See this mirror?" It is a fine old mirror, in a wood frame with graceful flourishes carved. "It is the only thing left from my mother's wedding. She loves to look at it. It reminds her of when my mother and father first came to the original old house. It was destroyed in the first Intifada." Mrs. Khalil says, "We are a married couple living like this, locked in every day from six pm to six am. It is very difficult." One of the family has developed serious bladder and kidney problems from trying, night after night, not to have to ask the soldiers, not to have to go to the bathroom between six pm and six am. He says, "Sometimes the soldiers take me out of the room and 'allow' me to stand with them all night. Not sit. Stand. If they want to punish." "Dr. James we must leave." "Khalil Bachir. Please help me. I feel like a wretch to ask. May I make some kind of small contribution to your school, or family, or toward education of your sons and daughters?" I am an older sophisticated man of many tough experiences, and white beard. Yet I am moved to tremble. He holds me steady with a relaxed look. No dramatics.
As a group we walk off the porch of tea, across the torn up backyard, to his
Mohammed runs after me. He has in his hands that symbolic gift I had wanted to request from this family, of life, of their life, and of living, beyond empty shells and bullets. So here it was. Mohammed, my youthful friend, with that infinite smile, gives me a stem and branches of 'Otra,' a simple plant of plain green leaves, and fragrant. Samah and I get into the car of Khalil Bachir.
In a careful way, as conscious men and new friends, in a "good way" as my Lakota Indian friends say, Khalil Bachir and I agree that I will - 'Insha' Allah' - return, "Next Wednesday, June 25, 2003," when I am scheduled to be again working with the staff and Crisis Team at the Clinic of the Gaza Community Mental Health Programme in Deir El Balah. We transfer into our car, and exchange final goodbyes.
I have come, in time and cause, whether in Canada, Los Angeles or Palestine, to hold the phrase "See you in Gaza," fondly in my heart. Now, from this day, from this day in the home of Khalil Bachir, still falls for me, another poetic phrase, and clear - "See you next week." 'Insha' Allah badin.' Earlier in the day, on the porch of the Deir El Balah Clinic, surrounded and touched by beauty and a beauteousness not to be spoken of aloud, I floated some of my feelings, on the wings of English words, to eight year old Ahed, who, wholly comprehending, heard: "Ahed, you will encounter, as you grow through years of youth and manhood, sometimes of a sudden, beauty almost blinding, moments of experience, love and pity, suffering and sacrifice, so utterly fragile and enduring as to fill and break your heart. Hold to those moments. They are more than your mind, kith or kin. And they will carry you forever."
Khalil Bachir. His home and family. "I refuse to hate. I believe love is stronger than hate." Back at Marna House, Gaza city. In my room. Alone. Safe, comfortable.
"Yes, and . . . . " I look at the clock. Minutes before six pm. "The soldiers come in from this kitchen door." He gestured to his right as we sat at the table, eating. "And they come through the front door. We know the routine."
With light, with what little light or air, privacy or peace, to safely sleep? "Sometimes they stand inside the room with rifles pointed at us."
"Sometimes, if they notice my anger and hurt at their deliberate cruelty, sometimes, I see guilt in their eyes. They try to justify themselves and say, 'We are only doing our duty.' But I think they know." "Not my son." "The soldiers are not my enemy. You cannot divide humanity." It is six o'clock. I try to ignore my . . . yes, prideful despair. I am embarrassed to be out of the jail. Finally sleep. Fitfully. When I awake it is still, . . . only, . . . just, . . . a few minutes before six o'clock am. Now? The 'next day' has become this evening. Again. Six pm awaits. It is after six pm. "To the jail." In the jail. And tomorrow. "Tomorrow, and tomorrow, and tomorrow." What time is it? Still in the jail. How long does it take to become six o'clock am? "See you next Wednesday, June 25, 2003." _ _ _ _ James L. Crossen, Ph.D., Psychotherapist
|